Art History Phenomenal Movement

Question: Discuss about theArt History forPhenomenal Movement. Answer: Introduction The Romantic Movement is the most phenomenal movement that witnesses the glimmering beginning of visual art. The art of that period depicts the flowering of emotional experiences and acts as an interesting influence on the Global art. The fine arts permeated the European landscape in the early and mid 19th century. The portraits of the period stand as the emblem of romance and aesthetics. The painter spawned such an aura in the painting that it looks very authentic. Theodore Gericault stands as the superlative figure in the domain of Romantic Art. He created a masterpiece, The Raft of the Medusa that explains the story of the passengers and crew of an anchored ship. The captain of the ship had relinquished them. The portrayal of the real situation was a well-known fact of the period. The paintings of Gericault have natural and story-like disposition. It was created in such a way that it went beyond anybodys comprehension. The painter embellished the incident in such a way that the victims remained stuck on a raft, pitted against the interminable forces of nature. However, a few gallant figures sought for a rescue ship. The feature of despair and bloomer were the salient features of Romantic painting. Eugene Delacroix was a versatile disciple of Gericault. He even struck a pose for one of the dying figures in Raft of the Medusa. In his brilliant piece, Eugene Delacroix followed the trend of Gericault. The portrayal of subtle political episode about a real event with an allegorical hue compounded the situation. The piece Liberty leading the people projects the iconic figure of Liberty who led the people into a whirlpool of the war against valiant forces. The painting exhibits the staunch spirit of the French people. Therefore, the paintings stand as the emblem of French Revolution. The painting, doubtless vibrant, was purchased by the French government and it was displayed for a short period. The officials treated the symbolism fierce and evocative. In the segment, the French painter Hyacinthe Rigaud created the portrait of Louis XIV in coronation paraphernalia in 1701. By the dint of merit and versatility, the portrait has the label of the official portrait of Louis XIV. Another painting, Napoleon I on his Imperial Throne manifests an 1806 portrait of Napoleon I in a regale disposition. The French painter Ingres painted the portrait with finesse (Norberg Rausenbaum 2014). Coming to the main angle, Rigauds portrait of Louis XIV exhibits splendor and intricate embellishment. In the portrait, the ceremonial robes of Louis XIV, along with his elegant styles and the lofty expression bear testimony to the fact of exalted status. In the portrait, Rigaud maintained a regale style and gave a vivid description of the kings apparels and other accessories that beautify the look. The portrayal of the coronation of Napoleon stands for the simplicity that permeated the whole sketch. The creativity of the sketch is interminable and jeweled embellishment adds to the grandeur of the portrait. The two portraits exhibited the time gap and the change of creativity (Roberts 2015). Reference Norberg, K., Rosenbaum, S. (Eds.). (2014).Fashion Prints in the Age of Louis XIV: Interpreting the Art of Elegance. Texas Tech University Press. Roberts, P. (2015). Napoleon the Great.The RUSI Journal,160(3), 94-95.